Mary Delany (May 14, 1700 - April 15, 1788) is a British artist, letter writer, and Bluestocking, who is also famous for his "paper" mosaicks "and correspondence of his life.
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Mary Delany was born in Coulston, Wiltshire, daughter of Colonel Bernard Granville by her marriage to Mary Westcombe, a stalwart supporter of Tory from Stuart Crown. He is also George Granville's nephew, 1st Baron Lansdowne, his father's brother. Mary had one older brother, Bernard (1699), known as the Bunny; Bevil's younger brother, born between 1702 and 1706, and a sister, Anne (1707). When Mary was young, her parents moved the family to London, and Mary attended a school taught by a French refugee, Mademoiselle Puelle. Mary made close contact with the Court when she was sent to live with her aunt, Lady Stanley, who had no children, her intention was that she would eventually become a Maid of Honor.
While living with Lady Stanley, Mary became educated in, "English, French, history, music, sewing and dancing..." Mary connected with Handel at home, listening to the music she made; this contact with Handel will remain with Mary for the rest of her life; he is a close friend and a loyal supporter of composers. Mary's plan to become a woman in waiting was destroyed by the death of Queen Anne in 1714, which led to a change in power, and a Hanoverian on the throne, supported by Whig. Granvilles moved to a manor at Buckland in Gloucestershire, where they were quite isolated from British society. However, Mary was able to continue her education and pursue paper cuts, which had grown at an early age.
Towards the end of 1717 Mary was invited to live with her uncle, Lord Lansdowne, in Wiltshire. He was introduced to Alexander Pendarves during this period of stay, and it soon became clear that his family had an interest in marriage between the two. Pendarves is a Member of Parliament for Launceston and 60, while Maria is only 17 years old. In February 1718 she married her husband unhappily, a marriage caused by her parents' financial dependence on Lord Lansdowne, and Lord Lansdowne's wish to have political influence through marriage.
Maps Mary Delany
Married life
The Pendarveses departed for Roscrow Castle near Falmouth in western Cornwall in April; Once completed, Mrs Pendarves can enjoy the magnificent views Roscrow has to offer, and can ride a little. Mr. Pendarves' tears worsened during the year, and in the second year of their marriage, Mrs Pendarves was forced to care for her sick husband. In 1721, they both took a home in London and there, though Mr. Pendarves began to drink excessively, Mrs Pendarves could be reunited with many of his old friends. In 1724, Mr. Pendarves died suddenly in his sleep, leaving his young widow's wife. Mr. Pendarves did not change his will after his marriage, so Mrs Pendarves did not inherit what was left of his estate. "Mr. Pendarves, concerned about the bottle that lets him forget about losing some of his wealth, has no time to consider giving up the rest to his wife."
Despite the lack of resources, the widow gives new opportunities for Mrs Pendarves. Widows, unlike unmarried women, can move freely in society, and for the first time in her life, Mrs Pendarves is able to pursue her own interests without anyone's supervision. Perhaps because of her unhappy marriage, she was dissatisfied with the choices available to women in the 18th century. He wrote,
Why should women be encouraged by the need for marriage? the circumstances that should always be a matter of choice ! and if a young woman does not have enough money to keep her in a situation where she grew up, what can she do, but get married? "
Ny Pendarves is a very perceptive woman, "She judges everything and everyone for herself, and, while mocking all empty or vain constraints, whether fashionable or eccentric, is always ready to praise the unusual, if sincere and worthy He is passionate in acquiring knowledge of all kinds until the end of his life... "
Since he did not have his own home, after the death of his first husband, Mrs. Pendarves spent time living with relatives and friends. To begin with, he lived with his aunt and uncle, Stanley, and after the death of his aunt, he spent time in Ireland with his friend's family, Mrs Donellan. In Ireland, Mrs. Pendarves became acquainted with Dr. Patrick Delany, an Irish pastor married to a wealthy widow. Only in 1743, on the way to London, Dr. Delany proposed to Nyar Pendarves, which made her family anxious. He chose to take Dr. Delany as her husband, and both married in June 1743.
Delany graduated a year in London before moving to Dublin, where Dr. Delany had a home. Both husband and wife are very interested in botany and gardening:
"Their mutual enjoyment in their garden in Delville near Dublin in particular, his drive to gardening, painting, shell work and sewing led to a spike in activity in various media where the underlying theme is interest, whether in deploying Delville gardens, painting garden landscapes, decorating the interior with shells , or working on embroidery. "
After twenty-five years of marriage, mostly spent in Ireland, Dr. Delany died in Bath, England, on May 6, 1768 at the age of eighty-four, and Mrs. Delany, now sixty-eight, found herself, once again, a widow.
Next life
As a widow, Mary Delany spends more time at Bulstrode, the home of her close friend, Margaret Bentinck, Duchess of Portland Dowager. Both share kinship in botany, often going out to look for special specimens. That was as long as he often lived in Bulstrode with the Duchess that Mary got acquainted with two famous botanists when Joseph Banks and Daniel Solander. Contact with these botanists only encourages Mary's interest in botany and also encourages knowledge of the many pieces of flower paper.
Careers as an artist
Mary Delany has always been an artist, but during her marriage to Dr Delany she has time to hone her skills. He is also a gardener, and does sewing, drawing, and painting; but best known for cutting the paper:
"For this 'mosaicks' is a colored paper that represents not only the striking details but also the contrasting colors or shades of the same color so any light effects are caught". He started his friendship with Letitia Bushe, a watercolor and miniature expert, with whom he started a number of artistic projects.
In 1771, a widow in the early 70s, Mary began dumping, fashion with women in the palace. His works are botanical detailing and accurate botanicals. She uses tissue paper and hand coloring to produce these pieces. He created 985 of these works, calling them the "Mosaic Paper [sic]", from age 71 to 88, when his vision failed.
"With plant specimens arranged before he cuts the minute particles of colored paper to represent petals, stamens, petals, leaves, veins, stems and other parts of the plant, and, using lighter and darker paper to form shadows, he attaches them to black background By placing one sheet of paper over another he occasionally builds several layers and in the complete picture there may be hundreds of pieces to form a plant.It is thought he first dissected each plant so he might check it out. Accurate... "
Mary became famous, and the donors started sending her flowers to cut. They can still be seen at the Enlighten Gallery at the British Museum today. After his death, "Ten volumes of Mrs. Delany's Flora were inherited by Lady Llanover, daughter of Georgina Mary Ann Port Lady Llanover, who died in 1896 at the age of ninety-four, was inherited this volume to the British Museum... "
When his patron, Duchess Dowager, died, King George III and Queen Charlotte gave him a small house in Windsor and retired 300 pounds a year. Mrs. Delany became familiar with Queen Charlotte while staying at home in Windsor, becoming an important part of the inner circle of the palace. The King and the Queen, a great proponent of the paper cutter, "... always wanted that any strange or pretty plant should be passed on to Mrs. Delany while blossoming."
Frances Burney (Madame D'Arblay) was introduced to her in 1783, and often visited her at her home in London and in Windsor, and owed her friendship to her appointment in court. Delany, in the eighties at the moment, has a reputation for cutting and making complicated paper mosaics (collages) now in the British Museum. He has known many characters in his day, has corresponded with Jonathan Swift, Sir Joseph Banks, and Young, and left behind a detailed description of the polite English society of the eighteenth century in his six volumes Autobiographies and Letters Lady Llanover, 1861-1862). Burke calls her "a very good woman, a model of an accomplished woman of antiquity".
In 1980, a descendant of Mary Delany, Anne, Ruth Hayden, published a book about Delany's work: Mistress. Delany and Her Flower Collages, reissued in 2000 as Madam. Delany: Life and His Flower (British Museum Press).
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Source of the article : Wikipedia
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